KIP ALKS OUt of t    of .

        s o of eg ts errace, and akes    against o .

        Surns bato t in front of cairs.

        tient turns to face ouc     leaves o te s, it begins to make trek toance of t of    redness against w seems like volic flesh.

        In ter by Caravaggio o    read    his hand.

        Caravaggio glances doo see t all through his cheeks.

        hinks suddenly he owes him a life.

        Kip begins to laug of the box of wires.

        Caravaggio    oronto street Caravaggio    out of a taxi and    Indian o get into it, and hen.

        No laugo t tohe ceiling.

        “I kns.” Caravaggio oronto I met t turned out to belong to an Indian family. to sleep in, and it intrigued me. e s to talk about and tually persuaded me to try it. I removed my clotepped into one, and tely set upon me and co t.” “Is t a true story?” She grinned.

        “One of many!” S o almost believe it. Caravaggio antly diverted by t during burglar-ies. Breaking into a mas, iced t dar    been opened up to te to s left alone in orically discussing meals eed by turo the se of a crime.

        S of t random pulls out a book. Sions in a book of poetry and begins to e there.

        city. London is a ret tory.    guury, court paintings recorded fireworks displays.

        mucaller timate smile up close t    c. A tougo ure    ss. But    is more rambunctious ts. Remember “I’ll rees—named for saints and emperors or wo.

        the word bungalow es from Bengali.

        At four in ternoon to t in a il -deep in ter, o tip te s nose sunk into t.

        Beer al g, mucired ruts at so stop mud collapsing in around    around t up t arted ing in; this was his sed one.

        It    to immu. It o get a firm er.    s—ter t of it could break his ankles.

        c tal g, trying to to rating on touc reaco ty-foot pit and fell on t    any moment, remored, ell anyone    murmur or a stroke reet ily in front of you.

        toc t o iools into ts of unic. o te—    t Bugop doh Mice.

        . topped to taped to tal. No again.

        ttle space beture already. If en minutes. Noand tures in an enclosed space. Captain Carlyle        into flames. t fast, already unscious in his harness.

        Road?

        Kip dipped cotton o ter and touc to t t meant o    loon uck, it meant enougo the cup.

        t    in radius noes.    taped onto t er t m i sent to all bomb disposal units.

        hen is explosion reasonably permissible?

        If a man’s life could be capitalized as X, t Y, and timated damage from explosion at V, t tend t if V is less t if V over Y is greater ttempt so avoid explosion in situ.

        e sugs?

        inued feeding in t s, just to ,    h oxygen.

        (o cure ried tto froze on.

        ty minutes. After t ttery temperature    for noo remove it.

        o detey rips in tal. tion    oxygen could ignite if it came into tact o use liquid nitrogen.

        “It’s a top of t.

        “type-marked fifty, in a circle, B. ts, most likely. But    armed.

        Okay?” t time.

        “Put me on a microp back.” “Okay, sir.”Kip smiled. en years you    in tal discipliation by to call     out loud aically.

        noo prise out tteries i.

        “ you le.... Okay, I . A last topping up    it bubble for ty seds. tart. Fres. Okay, I’m going to remove tening to everyt in case somet    persoives.

        “I’m using ter key.”    out of    pocket. It     moved easily and old hardy.

        “t Bugled. ing ring ao ter.    . It ake anotes.

        “Alice is marrying one of terrible    out loud, trying to get more o    painfully cold.    trying to lean back far enougal in front of o keep moving o till o free t. It    to get t to grip the head.

        to ely.

        “rong, alk bae, okay? t get to it. t at?”    above     o t.

        “Six more minutes of frost.” “e up and    up.” “No, pass me doer being placed in it.

        “I’m going to dribble to ted—t into tal. Cill I    grip somet baoalk it t er. ed for t to appear and to sal off ed and c of , placed it betal and t, cs. t y against a spark.     as tteries.    cutting sideo tal around t fuze    off in layers,    t doly t t flashe gaine.

        It took five more minutes.    moved from top of t, instead ime left in t in trut area, aemperature to al.

        t dare cact of t quivering like a silver tendril. If . ried to rub o his hands.

        , ill for a fe ta t of ts. the bomb was dead.

        “Fuze out. Gaine off. Kiss me.” rying to clip on ter;     igo traps still taco feel    corpse out of a bog.    rising out of ter. ed out of t into t, orso.

        epee of poles t aneously, letting c ty yards aoo close, far too close, for safety; troyed. But of course    been to keep them back.

        tcly, to o o t—tools and isters and blas and truments still o t.

        “I ’t o t.” t pausing, to go past taring faces unic, c didn’t reize or ao. Just stepping back to give    tarted s stand to lift ages, into t.

        , Kip slorousers and    too cold and tired even to uea on t beside : I    even frig angry—ake, or ty t ting just to protect myself.

        Only hardy, he realized, keeps me human now.

        day at t o remove ty of lice, and ter. Lying back, , eyes closed against ture, looking more like a corpse from a myts beside imes alk about her in jail.

        up and flip o rub t o civilisation. s and sern and visionary, pausing only in times of sunligo be godless, informal, able so tra. Alt years of war assumed Englisiful son.

        “A my brotrusting turns to    in ill not a free ti, and    o Englis is a battle of opinion alized by t my brot. ing for independence.” Surns a darkness of to sit he Englishman.

        At nigs ellation, tainst    beturns of sleep. S and ribbons. As    pours. Sie it against . As o s of electricity i.

        ion to terrace     of ion to t. t terms of t gataly    tried to see everyt emporary and human.

        t    sion of c thing safe is himself.

        ree s one sick brancoo ree. It stood in Lord Suffolk’s garden on tol el. In spite of sucy ure    .

        urban outside in    at trees. But ices t    tens    if s colour o adore , so say.    if s t tently at eyes but nister    or stomac texture more taste or specific object.

        a mout eyes and t seems to er depending on t of a room, te of ty or smugness or any ot on trum of cer. For    intricate aspect effaces.    an eye reveals. But o callousness, suggest tenderness. One    often misjudge an eye from its rea to a simple beam of sunlight.

        Everyt of an altering ions t alter ure, even y, te of lifeboats.

        t of rising ing dinner in t available lig te evening to tient, or a lamp e any. But ty. to oucips.

        “No more ligo    of leaping doairs one o be stopped. S travelling tting turning Caravaggio in tomach.

        S tennis sto t, ttoned as    disorder.

        On t from tced cyard. Four    let you into    at oime must ed room. tyard reminded o reveal pressed floo be gla during passing, never entered.

        It wo a.m.

        Eacered t doorrance by ty-six steps and    tyard. As epped into tto an alcove at c level ed. tron of tal. S catc trousers. trapped to c stood turban, t against t tibule like a spear.

        tyard. o tcely se it and tied it o table. ed to tyard. icks leaning against it. ered and closed t t moment snaking    to prop ticks up against to t do the    of densed milk.

        Sed someto turned on t on    stretseen s above    could reveal itself to anyone in to see tside. S, searcly Italian books for t s to tient. So love talian spiispieces, tipped-in colour illustrations issue, too fast, as if breaking some minute unseen series of bones. Serhouse of Parma.

        “If I ever get out of my difficulties,” o Clelia, “I s to tiful pictures at Parma, and to remember t at t seemed t    arm ing redness onto    tton of s puffed sleeve at her shoulder.

        of the well.

        t diameter of ligo blaess, so it felt tgio t tucked t arm. As shers disappeared.

        Sood ter,    in Europe s        e to tic face,    seemed cold,    during t toion. Years before, ried to imagine    but ed someone ies moulded out of y. Ner hing he had provided.

        Sed to t some point later sening, and quickly sc.

        as sy     on for a moment and t off again.

        to be in movement but Caravaggio.    all around    touc around    glared o o still    t emerged into t, moved past Caravaggio’s fad stepped onto the boy’s neck beside him.

        Anot    on.

        “Got you. Got you.” t tline of . S, “I got you,    got you. I used Caravaggio—o s already all over le out. t from boto climb and cra of terror. fess. to calm    tenied at ture.    of t saying a    the room.

        tions o , and in to s o o est? densed milk?” Ss     of it, tasting     to see you.”    goes on and reaked , ion. owards him.

        s o to lean, puts all    into rusting o e rusting o break t in t    of ail of a mantis. till strapped against t of    arm. o t to kiss and lid taste. oself in tness of her hair.

        t a    is ory.    tanding on t ten of    time    of    I got you, I got you,” ss. “I’m t so ts forcs off and is free of , t a rain still in it, t and grit on    arms. o    and clicks off . “I o t gesture sly a nod, partly a s.    see urns off    so they are equal in darkness.

        t in lovemaking tion, a    to be fucked. I don’t    to fuck you.    or so     tendero es y. ter all, a mortal age. ted itself only in    sleep ug of .

        All evening    c aug and peace during co sleep it o sleep imate stranger from Sout up ed oo in earlier years, probably knoer of all of tter ts did.

        It ual affe. If Kip    ing love greater ter, side to find suitimacy, or at times timacy, of a stranger. e old before    about    question of w.

        Only once did , tood    into ’s room o till, just noo scratc aside and scratder art,    tent, in , s met in a own.
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