Some quarter of an    on to Ri. rait, a litein, lepiece among portraits of otanding, but, because doubtless of ing ly suggested object??a table or a aceadily fixed upon some object, in plete fidend self?possession, a as in ly as I remember raits and too sly as I remember    one appearand t seen fully at t gland by all alike.    o say, like one of Sers??a pressed and pummelled, as it o a siitude, almost into a gesture and a speecuation. I disagreed    everyt I admired ion of some early poems founded upon old Frencry, mainly because e Vers Libre, yndall and ien?Lepages cl    eyes at    boots; and filled it ion of an al ed. I ed tro passions, passions t o do ion, arical forms t seemed old enougo be sung by men ism affected ed by a cat in t our first meeting    political is or vis, o a violent unionist and imperialist. I used to say or ; yet    so     t    actor of passion??cer?ag meant noto me for many years??and an actor of passion y of soul, personified again and again, just as a great poetical paiitian, Botticelli, Rossetti may depend for ness upon a type of beauty wly we call by his name.

        Irving, t of t on tage, and in modern England and Fra is t sort, never moved me but in tellectual pride; and t once, I am vi y. iculate??I am very costive,    up an image of poy till it became, at moments,    soug life to tic crisis, and expression to t point of artifice s to oppos tism, for ion, s.        play a ,    find beyond t, s o me in t of ell t t t go on. t fit for self?gover but t is nonse is as fit as any otry but    grant it.

        And to found a a Dublin ne ories, our modern literature??everyt did not demand any sc. yranny but it    of o de Medici.
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