EXt. UING

        Maggie flies toruck at     leaving.

        ANLE:

        Shers her dress and jumps in as Ike yells from window,

        t onto truck starts to

        pull away.

        IKE

        Maggie!

        Maggie looks bace, tearful aful, and disappears

        iruck. truck races off.

        tOGRAPurn their cameras on Ike, en masse. he is

        enveloped by a barrage s.

        Ellie and Fisepped outside on c

        steps, are looking around as Ike turns around the er and

        past the church.

        ELLIE

        Look, er her.

        FIShER

        Look, ty good shape.

        ELLIE

        Poor Ike.

        ter trud cruck

        dohe church.

        IKE

        (running; yells)

        Maggie!

        ELLIE

        hink shes going?

        FIShER

        is, sen-

        ty tomorrow.

        dy, Cory, Peggy and Meredit of the churd

        ent on Maggies runaill

        cruck, yelling:

        IKE

        Maggie!

        As truck rounds the road and disappears, Ike

        stops and stares aloer truck. A swarm of

        REPORtERS catco ures and asking

        questions. Anot to:

        A NESPAPER PO

        Of Ikes stunned fa today. tion

        reads: " and Run: Runarikes again". And we see

        her papers.

        "MAGGIES MAD DAS;

        "S AND BOLtS"

        "JOURNALISt RIttEN OFF"

        "BRIDE tAKES    IKE"

        "BRIDE tAKE RIDE"

        "MAGGIE SAYS I DONt"

        NESPAPER MONtAGE:

        INt. NE YORK BAR - DAY

        Kevin, tender, reads Jays n, in today

        entitled "Maggies Mad Das;.

        CUt tO:

        EXt. USA tODAY LOADING DOCK - DAY

        Various nehe USA

        today entitled "Maggie Mad Das; and "s

        and Bolts" in another neer.

        FADE IN

        EXt. MAIN StREEt/ (1-5 MONtER)

        Its a nighe regular order of

        tored on its quaint streets. Quartet sings

        in front of tel. LEE AND CORY C where Peggy

        is.

        INt. ORE - NIGht

        Maggie is sitting, end of a long day. Peggy sticks her head in

        entrance door.

        PEGGY

        You okay? Im closing.

        MAGGIE

        Im just finisoo.

        PEGGY

        ant to go to Butchs for a drink or

        something?

        MAGGIE

        (interrupting)

        No, Im just going to head home.

        PEGGY

        Okay.

        Peggy starts to go, to Maggie.

        PEGGY (td)

        (stepping closer

        and making a "V"

        h her fingers)

        You kno t

        t geese t;V" was

        ;". A "" for...

        MAGGIE

        are you talking about?

        PEGGY

        edding. edding.

        (holding Maggies face)

        You just o get t of your

        ducks in a row.

        MAGGIE

        till t he

        was....

        PEGGY

        Quick. Very quick.

        Peggy exits. Maggie stares, losing . then a

        VOICE startles her.

        VOICE

        (whispers)

        Marry me, Maggie.

        Maggie jumps and turns to see: DENNIS -- the high

        scball team, popping up from a loiohe

        ter.

        MAGGIE

        (softly)

        hi, Dennis.

        DENNIS

        I am going to propose, you know. I

        mean, t urn

        eighteen.

        MAGGIE

        Youre s, Dennis. But youve got

        to go. Im closing up. heres a dy

        bar and one for your brother.

        Dennis takes tarts to go.

        DENNIS

        Im not giving up. A person s

        give up.

        Dens. Maggie is alone. Surns out the lamp she

        desigurns off the

        ter as. e hold on Maggies designed lamp.

        CUt tO:

        INt. IKES MENt - NIGht

        Ike o his door, carrying his mail and a bag of

        carryout. o ment. he

        pets Italics, aking off his

        coat, o o

        about marriage and divorce.

        CUt tO:

        INt. MAGGIES hOUSE - DAY

        Dad and Grandma Julia are there. Grandma is making lunch.

        alter is juggling es. the

        kitcer.

        ALtER

        ts Maggie. home for lunch.

        GRANDMA JULIA

        S

        ts good.

        Maggie he cheek.

        MAGGIE

        s for lunch?

        GRANDMA JULIA

        turkey and cheese.

        ALtER

        her and I were

        t opening a

        museum.

        alter laughs.

        MAGGIE

        StOP!

        alter looks at er in surprise. hes never heard a

        tone like this in her voice before.

        ALtER

        ?

        MAGGIE

        (quiet fury)

        Just stop it. Dont say another word

        like t.

        ALtER

        (putting dohe es)

        Maggie, its just a joke...

        MAGGIE

        No. Its my life.

        ALtER

        A harmless joke.

        MAGGIE

        No, its ing and youve been

        doing it since I

        like it. Stop. You may not like

        er

        guess    like having a

        fatime. Ill

        eat in my room.

        Maggie takes a plate as.

        GRANDMA JULIA

        t o be said. You know --

        youre al her,

        so t make jokes about your

        drinking.

        alter reacts.

        CUt tO:

        INt. IKES APARtMENt - DAY

        Ike goes out on errace. ball. It

        doesnt bounce. s on teps of tio an stares.

        CUt tO:

        INt. MAGGIES ORKROOM/GYM - DAY

        Maggie is kickboxing.

        CUt tO:

        INt. MAGGIES ORKROOM/GYM - ANOthER DAY

        Maggie is a bit melancholy as she works on her lamps.

        CUt tO:

        INt. IKES APARtMENt - ANOthER DAY

        Ike quietly sits in bed ing and staring into space thinking.

        sits on the windowsill.

        CUt tO:

        INt. MAGGIES ORKROOM/GYM - NIGht

        Maggie jumps rope barefooted late at night.

        MAGGIE

        I need a plan... A plan to life...

        would Bruce Lee do? hed kie

        ass...

        CUt tO:

        INt. MAGGIES KIt - DAY

        Maggie in front of plates full of all sorts of types of eggs --

        scrambled, poac, soft boiled, etc

        -- sits on tcer. Sies them all.

        EXt. NE YORK StREEt - DAY

        Establis. try to fix taxi

        outside taurant.

        CUt tO:

        EXt. NE YORK StREEt - DUSK

        Eke -s Vendoes into a subation.

        EXt. A - DUSK

        Ike crosses a busy street wed. Ike is

        passing t;Millennium ore".

        tops and looks again. the window

        display is made up of an assortment of Maggies lamps. Logo

        "MAG" is on them. he smiles and walks on.

        EXt. tRAL PARK RESERVOIR - DUSK

        Ike stares out at er as he walks.

        EXt. IKES APARtMENt BUILDING - NIGht

        Ike reet, enters his building.

        INt. IKES APARtMENt - NIGht

        Ike opens to ment and flicks on ts. he

        crosses to    in t. In t mirror, he

        sees and is stuo find: MAGGIE, sitting on the couch

        alics, t.

        MAGGIE

        hello, Ike.

        and crosses to his desk.

        IKE

        Dont tell me. My doorman is one of

        your many admires... I knew I should

        ter Cmas gift.

        Maggie smiles tenuously. Stle terrified.

        MAGGIE

        Ive been making friends .

        (then)

        Is it okay t Im here?

        IKE

        I dont ter

        no I t speak for

        Italics.

        (to Cat)

        traitor!

        o t.

        MAGGIE

        I dont blame you for being mad...

        Ike looks at ly t;mad" is an uatement.

        MAGGIE (td)

        ... Or... furious.

        Ike looks at her again.

        MAGGIE (td)

        ... Irate? Livid? ?

        arts putting cat food in a bo leaves Maggies

        side and starts to east.

        IKE

        Livid is good. So , Maggie?

        You here on business? I saw your lamps.

        terrific.

        MAGGIE

        Its someted to do.

        Ike leaves ts on ts aers

        the baly.

        IKE

        You actually could make breaking and

        entering into a new career.

        (after opening

        the glass doors)

        So, w are you doing here?

        MAGGIE

        I ed to talk to you about why I run

        or ride ahings.

        Ike moves aeps he baly

        ening.
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