ing silent man full of    out in t of day,    lay er passage i.    Kilronan on t: ting near, t close to t urn and ts side, , ag of rope remaining, by w could be carried.

        Probably ted    great, yet t t onations, till tion of teement, and ting turn foamed at tore eaceeth.

        After a ing some special favourite, to keep it quiet coat tied round t to keep to knoion t made me so t I en t currag out, I    on t looking out over the sea.

        ted, and o talk to t me because I am not married. A dozen screamed at a time, and so rapidly t I could not uand all t I o make out t taking advantage of to give me tempt. Some little boys er among tared do is a crorain to tion, no is a    a funeral. Kio    in tones, in t, t in every moment of excitement,    terical excitement of tead of finding expression by its cself in t direct    of dream. Last niges, at Innismaan, after rangely intense lig rringed instrument.

        It came closer to me, gradually increasing in quiess and volume ibly definite progression.

        e o move in my nerves and blood, te me to dance hem.

        I kne if I yielded I o some moment of terrible agony, so I struggled to remain quiet, ogeth my hands.

        tinually, sounding like trings of uo a fotten scale, and rings of the cello.

        tement became more poe of me.

        In a moment I    as and every impulse of my body became a form of till I could not distinguisrument or t seemed aement t    greo aasy    in tex of movement. I could not t the dance.

        tasy turo agony and rage. I struggled to free myself but seemed only to increase teps I moved to. es of t last,    of untrollable frenzy I broke back to sciousness and awoke.

        I dragged myself trembling to ttage and looked out. ttering across the island.
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