In all drama o reverie, to tself, t cy of dialogue. of t ve passions, keep up appearances cest born of Cadmus line o reports and discuss taking part as it ate. Noty of Greek drama, and in a lesser degree of t of eille and Rae depends, as trasted roubled life of S even speed of dialogue, and on a so tinuous exclusion of tion of on life, t t remains lofty and language ricage everyter, aructure of blank verse, obtains time for reverie by an often encumbering Eup as o look at life from . Maeterlinck, to modern of to mind??reacead of as a breat a dream. Modern drama, on ts tig, its expression of t leaves to be inferred from some on?place sentence esture as in ordinary life; and tual disappoi of t France or Spain ermany or Sdinavia last produce ter .
ts are almost all in t instaec scal of ty of dialogue. Synge found t suited emperament in an elaboration of ts of Kerry and Aran. tative, as befits t of men ten patiently, ea and for some little time, and taking pleasure in t, ical, is as full of traditional ravagant pictures as t of some Aescter opic is, it is as t is toric, for t, tless ell you t like Rafterys for too, for it could not even express, so little abstract it is and so rammed ions of national propaganda. Ill be telling you t story youd o Ballinacree queens in it, making tcart to tory of t queens of Ireland, e necks on t you a slap.... good am I t, God good are tories I s feen to an old a girl maybe fear time tle c be sleeping . t es s in t for noble purpose by Synge, and by Lady Gregory, ranslations equalled since, ional dignity. en troubled and sorrotis tering ion by so many s and ren badly. Synge e do knoo so rislating into it fragments of t literatures of te version of tation of C. It gave ive ric left to ing and tang of reality. ranslation from Villo of t sc simple try speecrarc deat as time y easy, and t toget all ts, and my s enemy art, little by little, to give over t of my sharp sorrow.
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