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PART 8

        INt. AtLANtIC EL - S LAtER

        Maggie owards Ikes room, o one sees her and

        enters.

        INt. IKES EL ROOM - tINUOUS

        Maggie lets    room and turns on ts

        on. Ss on audio cassette on the door. She

        te up to t to read tten

        label. It says "Miles Davis" on it. Ss tape. She

        o the living room.

        MAGGIES POV:

        Ike -its on a framed picture, using the frame as a

        bulletin board. Post-it notes lay out tion he has

        gats "Mot;

        deceased, sub;alter" and t;Brian",

        "Gill", and "Bob". Maggie smiles and shakes her head. She rips

        one post-it do to herself.

        MAGGIE

        (reads)

        " all to

        propose? S t beautiful."

        (snorts)

        Bite me, paper boy.

        S-it off ture frame.

        MAGGIE (td)

        (as sakes post-its)

        Rude...

        S and furious, them in

        her shoulder bag.

        INt. AtLANtIC EL INUING

        Ike es doo be shined.

        BASIDE thE ROOM

        Maggie, looking around, discovers the

        coffee table and grabs t, too.

        MAGGIE (td)

        thief!

        to

        ts and locks t as Ike enters,

        antly knohing

        is up. es gone and a glimpse of Maggie as she

        closes teaming. A BUMP sounds from

        to tries the handle.

        Its locked. arts to pound on the door.

        IKE

        All righere...

        You steal my research... Youre messing

        ame now. Open up.

        Open up. You got no place to go.

        INt. IKES EL BAtINUING

        Ikes rying to open t

        bats stuck. Shtub,

        opens t arts to climb out.

        IKE

        I    to have a very serious discussion

        o why youre such a pain in

        the ass.

        e    throom door.

        As Ike breaks in, o ter her.

        EXt. IKES EL INDO - tINUOUS

        IKE (td)

        ts breaking aering. Ill call

        the sheriff.

        MAGGIE

        You do t. And remind him hes

        bringing to thanks.

        She building and runs off.

        Ikes neigs reading near his window.

        CUt tO:

        EXt. MAGGIES

        Establishing.

        INt. MAGGIES

        CLOSE ON: A CASSEttE PLAYER. e see tten

        label: "Miles Davis." "Kind of Blue" plays as Maggie listens in

        a c-its she

        stole from Ikes room. e see as s;Fatwo-

        fisted drinker," "Peggy, best friend, but Peggy doesnt totally

        trust Maggie," "Bob" -- doesnt love him. Overwhelmed, she

        finis note, leans back, puts    up on

        table, deep in the melanusic.

        t note on t to her chair.

        It reads: "S;.

        FADE tO BLACK.

        FADE IN:

        EXt. MAIN StREEt/BEAUtY PARLOR -    DAY

        Its early m. Mrs. Pressman hands Peggy a cup of coffee

        to go. Peggy o ty parlor, unlocks t door

        and goes in.

        INt. BEAUtY PARLOR - DAY

        Peggy enters and starts about ies. Surns on

        ts and turns and sees her friend, Maggie.

        MAGGIE

        Do you t h Cory?

        Peggy stops in rack. Maggie is sitting curled up in a salon

        c slept.

        PEGGY

        Good m to you, too. You look good.

        MAGGIE

        t h

        Cory?

        PEGGY

        Yes.

        Maggie looks miserable.

        MAGGIE

        I dont mean it.

        Peggy moves to th her cup of

        coffee.

        PEGGY

        I knoimes you just

        sort of spaz-out h random excess

        flirtation energy and it just lands on

        anyt moves.

        MAGGIE

        On anyt moves? As

        opposed to anyt doesnt

        move?

        Peggy pours    of its Styrofoam cup into a ceramic mug.

        PEGGY

        Like certain kinds of coral.

        Peggy sits in t to Maggie.

        MAGGIE

        Im going to kill myself.

        PEGGY

        hy?

        MAGGIE

        Because you t;hey

        man, c".

        PEGGY

        (friendly)

        No, I dont t;Im

        cerious in a

        even I dont uand and something

        about me is g out for prote

        from a big man like you". Very hard

        to pete o us

        married ery.

        MAGGIE

        But you    lost your mystery!

        Youre very mysterious!

        PEGGY

        No. Im erious

        are t things.

        MAGGIE

        But Im weird.

        PEGGY

        No. Youre quirky. Quirky and weird

        are t things.

        MAGGIE

        Peggy, tinct possibility

        t I might be profoundly and

        irreversibly scree t,

        I love you and I    promise t I

        h Cory, and I

        beg your fiveness.

        Maggie looks ready to cry.

        PEGGY

        Im not    you and Cory or

        Cory and me or even t youre

        irreversibly scre, Maggie,

        youve been like this since we were

        kids. And I t you are

        a and t it s peoples

        feelings, maybe its time to move on

        to someone of

        your own, like Bob, if he one.

        MAGGIE

        I t.

        (then)

        Is to make it

        up to you?

        PEGGY

        Somet brings o my .

        (pause)

        Duckbill platypus.

        MAGGIE

        Its only funny at Camp Birc

        t a tick .

        Its not anymore.

        Maggie makes    laugh.

        PEGGY

        Youre rigs not funny now.

        Maybe h grew up.

        MAGGIE

        thanks. ill you fix my hair?

        CUt tO:

        EXt. MAGGIES ER t M

        Maggie exits s on owards

        town.

        INt. IKES EL ROOM - LAtER t M

        Ike is still in bed. retches, and is

        about to the

        silence.

        MAGGIE

        Freeze. o those covers -- I

        didnt e o see Ike Junior.

        Maggie smiles c Ike from t of the bed. he

        narrows    her.

        IKE

        I take it the desk clerk is one of your

        many admirers.

        MAGGIE

        (deadpan)

        ? Im not t beautiful.

        Ike notices Maggie is wo coffees.

        IKE

        Coffee. Now.

        Maggie    to him.

        MAGGIE

        Youre es made

        iiime reading -- if you

        like trasion. Your observations

        are distorted, ungrounded an inplete.

        You must be very proud.

        IKE

        Im not a boastful man. s your

        point?

        Ike puts a s on as Maggie speaks.

        MAGGIE

        My point is t one again, youre

        getting it all

        improve your reputation any, and its

        not very flattering to me either. So,

        Im going to give you a co e

        truth.

        IKE

        Really.

        Maggie turns away from him as he dresses.

        MAGGIE

        Ive decided to cooperate a you

        interview me.

        (beat)

        For a thousand bucks.

        Ike clears    as ands putting s on.

        MAGGIE (td)

        I    a big wedding and a killer dress

        and frand I will answer all your

        questions a you follow me around.

        Ike takes s

        to the window.

        IKE

        My magazine doesnt pay because for

        stories. Its not hical.

        MAGGIE

        O making up ts as you go

        along is etually, I meant

        you. You probably got severance or

        expenses or botake your check.

        No credit cards.

        IKE

        (to Maggie)

        Youve seen t-its. Ive already

        got more juicy material than I need.

        hy should I pay you dollar one?

        MAGGIE

        Because I ting on spec

        and    person interview, you

        migually sell t thing.

        Ike knows s.

        IKE

        too much.

        MAGGIE

        Seven-fifty.

        IKE

        Five hundred.

        MAGGIE

        Six-fifty.

        IKE

        Done.

        Sco t to her. Maggie

        looks at it and smile sly.

        CUt tO
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