t gives ure of , badly posed, unflattering to omace oot;ook ture?" Simon asks. "Someone," sc away from him.
a figure in ;Youre not a poet, youre a real person," s;Of course poets are fu; Ser?tai beautiful male poets in try. "But ; t;e keep tion open so t to aspire to," siful poets? Are t or former lovers? Simon s berageously mean in practice? ts long red rays out over t foot taps time to a Pointer Sisters record. "t in your poems," Simon asks, "is it al? Does it al mea; t places a , as if to ;My dust," s;my ex?cellent dust. Youre a layman, Simon, s up about my dust."
S;; sy-t;It o put me t to go to medical sc; tty and blue atuary on it. "S t fund or some?t; asks t;I guess so," s;If youre not from Kansas, people in Kansas ask you: do you t Kansas? do you t our sky? do you t people in Kansas? Are ; S;You find a ;
"ELL its just would ;
" bound to us."
"Maybe oo muc Im saying?"
"It may be just a temporary aberration t last very long like ."
"But if s t keep s burn to nubs. And ts ;
"I dont knoill feel tened I mean Im as generous as t man but I still feel empically t our position ered for t;
"Poets eat up all of experiend t is s;
";
" does ect."
" before kicked out of USC."
"d kicked out for?"
"Slugged a dean in a riot, it Ame;
tim es in pinstripe. y.
"tim!" Veronica says. "s o you?"
"tuart," tim says. "Seven ?"
"You look like a er man."
"I got somet; tim says. "Im president of tfit ting togets a la;
"But youre not a la; Dore says. "Are you?"
"t ; ;lareet er. ere specializing in mal?practice, its everye t forty-seven pert of all patient-pers s t end to support a successful a. e project a y-eig rate of recovery over t;
"Veronicas been going to treet," Anne says, ";
"You t t; says Veronica.
"s. . ." tim reaco for a notebook.
"s on being paid in cas;
"Diddling axes."
" ;
"Violation of AMA guidelines on sexual ;
"nam?ese nam."
"tnam," tim says,
"re you seeing mind my asking?"
"Just various ty dollars for an office visit."
"ake you ladies out to lunc;
";
"Blimpies?"
"Youre not going to Blimpies in t suit?"
"Our cas on line as yet."
és it in olive oil. Meaner. in té pan for tes, at time ing a of cer. o ts it cook for a bit, tents of té pan into t cooked Italian sausage. ime and t into boions of grated parmesan.
A simple soup. Anne says s. "t soup Ive I ed broccoli but it just kind of falls apart in tuff, very tasty. Is it artificially colored?"
";
"Its too green."
"ts Gods o;
"Youre sure its not Union Carbide."
"I dont t;
"tation by inadversion."
Simon scratc;tarnation take it," ;if I get your drift."
"tion of every dimension of expe?rience for tion of female-kind."
&qu; Simon says. "A big subject."
"Getting bigger every day," she says, suddenly cheerful.
"You see a lot of suppression and domination around ;
"No tup doesnt fit ts so laissez-faire. But if into its deep structure --" Sops and begins again. "You dont care about any?t go along cooking dinner and fug us indiscriminately and reading treet Journal. Your vital is are not involved give a s."
";
Once sparent s, notcime alternately embrag and struggling, Simon running s, ;tasy," s;love in tc; "Love instead of tc; ;But I like tc; tocks t in mind, bee ime or t;My mot trol me," s;I rollable." ed op of tor and s it as it smuse atop tor, ;Play is s all about," s; taste like?" "Little bit salty," ongue lav?ing ton, "must be t nig your temperament in gen?eral."
"So s," Anne says.
"S kick me out, exactly."
"as ster t;
"It our."
"Are you sorry?"
"No."
"It ;
"Everybody als somebody to be sorry. Fuck t."
"Veronica tle t;
" t;
"A & P. ore. ;
"Did ;
";
"ts tragic. Is it tragic?"
"Just a detour."
;Frolid detour, t;
"But a real poet."
"S;
"Do you like ;
"A little."
"You came back because you love us more t;
"ell, I do."
A: I t people supposed to mares a year. I , t in hes.
Q: thes.
A: Not so muc being able to get dressed. In particular, trousers, in dreams I , enormous difficulty bringing trousers up over t on my s and try to put on trousers, try to pull the shoes. . .
Q: I ofte my rifle isnt . You it and it and t looks dos not , its got very little to do , its a metapioed to t of ar, your poor place scheme. . .
A: Every nigs too muc recourse? teeth.
Q: here do you see yourself going from here? In life.
A: More of to Dumbo, you knoo be on television at say seven-ty in to d t o, too.
Q: I liked it.
A: I liked it. Bizarre, .
Q: t I remember is es from t?tle baby tigers and of torks miss a trick -- before ton?isiger and s. t e.
A: terrifying. Because it was so well done.
Q: I dont to live on a farm, to go back to ts too risky and I dont knoo do. Some damn oo do to alleviate t in no ts drive g up and I ougo be able to fix it by slamming it a feimes I dont kno. I dont knoalk to tuff and I tell myself Im not sup?posed to kno because Im not a farmer. Yet I t to be a farmer or at least be capable of being a farmer. Maybe its atavistic. . .
A: Id be perfectly fortable living in a el. I take t to be te pole. Not necessarily a grand el, a s still stuffy el.
Q: Bedford Square. In London.
A: Never been to London.
Q: here have you been?
A: tokyo, Mexico City, Paris, Bara, Sto, Palermo, Reykjavik --
Q: Lots of els in those places.
A: Stayed in t part. Said to ts look beautiful this m.
Q: S make fun of them.
A: I . I lusted after t every one.
Q: Not.
A: But ab me in ter?
Q: ould you like to try some of ttle yellow guys here?
SIMON ation, a bed-and-breakfast, a youtel, a staging area, a C-141 ties offered anot o likely to take. ties to only impatie a real loat really uand. Veronica told simes. "?" ;a splices," s;Also, every time I e do, tion teac it probably ; Simon found o say anyt banal, instead edged and immediate. Maybe not could be rendered in a 500- notion and four y uff, more or less, and emerged more or less enricrast extrinsid intrinsic motivation, giving examples of ea young rinsid intrinsic motivation. "e all t; old t;Yea guys did tnam ; Simon nam ion but could not deny t it ructed by people ern t. "But, dummy, its t," ;Your best idea." "I respect for education," s;t. Id be just as dreary ;
side t s past midnigairs to treet.
A man in an old Army field jacket is screaming some?t t. six montionally deep void projects ors skill. Simon e in front of tal.
"C; hal screams.
"; Simon calls.
"Kissass mot;
"; Simon calls again. "take t somet;
aller t forty, and u.
"Up ygy fuckface," a quieter scream.
"time for breakfast, ;
"t; ional tone, and takes the bill.
reet, scream?ing "ts ts ts ts ts!"
Simon goes back upstairs.
Veronies into his room looking very gloomy,
"e o talk," se dark-blue nig seen before.
"s tter?"
"Dore. S."
"In ;
"S ;
"I noticed."
"Sries to from you."
"Maybe its just temporary."
"Ive never seen errible books. Books about errible men are and us do;
"t ster, not ;
"Dont need your c."
" do you me to do?"
"talk to ;
" I say? I agree stuff and t;
"ell its not for you to decide, is it? like you say ;
"Me?"
"Men in general."
"erical or crazy?"
"Probably you didnt to stir us up. Probably you and too tactful to say it."
"Are you sure its Dore ;
"S else do ime?"
"So youre all upset."
"trut;
" makes you tuff is trut;
"ty-five pert of all Ameri alloo talk at dinner parties. t t."
";
"Its in a book."
In in line for more riging in lis unial sty is quilted in kale, beloved of o a female ;ant to get somet; S;Bro, unless you p better, youre o, ts no eacrotters, nothing wrong be done. . .
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