ANGLE ON:

        Bob es up to Ike. o pun

        abruptly    a rose boutonniere.

        BOB

        You look awful.

        IKE

        (sarcastically)

        thank you.

        Bob o Ike. Ike is schis

        and looks up to Ike. It is a moment of    y bethe

        men.

        BOB

        Ike. Need help?

        akes tonniere and puts it on Ikes lapel.

        BOB (td)

        Im glad its you.

        IKE

        Really?

        BOB

        I didnt    to find out I    for

        er.

        IKE

        Got any last minute advice?

        BOB

        (motioning to their eyes)

        Maintain eye tact.

        Bob turns and leaves, going doaircase.

        IKE

        (to himself)

        Eye tact. Eye tact.

        Out of tures of    the

        ure and whispers.

        IKE (td)

        Cover me.

        o the chapel.

        INt. UING

        Ike steps up and stands o Fisher.

        FIShER

        (to Ike)

        I    Im doing.

        IKE

        Your job is... the ring.

        (to Fisher)

        Do you he ring?!

        FIShER

        I just found out Im best man! Im

        lucky I ... s wrong?

        Ike gives to Fisor approaches Ike. Ike

        turns a over ts.

        IKESPOV: t of tONSPEOPLE o

        knotle ponytails.

        Armani s. t of

        smirking, c tories for

        cocktail hour. Elaine is in back all dressed in black, m

        Ike. Mrs. trout approaches Ike.

        MRS. tROUt

        You she

        wedding car -- a 63 Buick.

        IKE

        thank you.

        MRS. tROUt

        Oically family.

        Mrs. trout starts pig lint off Fis.

        FIShER

        hello. Im Fisher.

        MRS. tROUt

        t    to e out.

        FIShER

        You just pull a hair from my neck.

        IKE

        Mrs. trout, go back to your seat!

        INt. ChURCh FOYER - DAY

        Peggy joins Maggie, who is blowing bubblegum and swaying in

        front of an oscillating fan. Grandma and alter e in.

        Grandma gives he cheek.

        GRANDMA JULIA

        Good luck, Maggie.

        MAGGIE

        thank you, Grandma.

        Grandma leaves. alter steps up.

        ALtER

        (quietly to Maggie)

        Im really rooting for this one.

        MAGGIE

        thank you, Dad.

        Peggy turns off takes the bag from Maggie.

        DY

        Spit.

        Maggie spits o the bag. Peggy hands Maggie her

        bouquet.

        PEGGY

        Lets go.

        MAGGIE

        No sauntering do

        make time. Lets just get there.

        dy and Peggy nod and leave. the door closes.

        INt. UING

        Botends o Elaine.

        ELAINE

        hi, Im Elaine from New York.

        BOB

        h

        attempt.

        ELAINE

        Im sorry.

        BOB

        ts okay. theres a lid for every

        pot. Besides, Im fortable h Ike.

        I mean, Jack Dempsey lost his

        title to a New Yorker.

        ELAINE

        I knounney.

        to play. t is ted. Grandma, alter,

        Mrs. Pressman and trouts crout picks lint off of

        .

        ANGLE ON:

        dy and Peggy enter    air of people who have

        doo too

        quickly. Peggy gives Ike a wink and an encing smile.

        INt. UING

        ticks his head in.

        DENNIS

        theyre ready, Maggie.

        MAGGIE

        Just a sed.

        Dennis closes to the

        c alone. S back door as

        possible escape route, the

        start of the door.

        INt. UOUS

        Immediately, Cory and Dennis open trance.

        All ts stand as Maggie ehe chapel smiling.

        MAGGIES POV:

        tretfinity. Faces goggle at

        ion. tiny figure of Ike stands like a

        bea a long way off.

        NE ANGLE:

        Sation step.

        ANGLE ON:

        Ike rocks imperceptibly, urging her on. Peggy and dy make

        little "e on" motions. It seems to be w. Maggie

        approaed from skepticism to

        looks and noises of encement.

        ANGLE ON: MAGGIE

        But t gradually begin to slow.

        ANGLE ON:

        Fistle "darn, so close" look.

        ANGLE ON:

        But Ike is too busy maintaining eye tact. his eyes urge

        Maggie closer -- loving her, willing her on.

        CLOSE ON:

        Maggie stops easing smile, and then

        resumes oward him. his face. her face. his

        face. her face.

        CLOSE ON:

        incher follows.

        NE ANGLE:

        A sigS as Maggie closes in on Ike. he

        smiles at     there... Shes

        t Ike. testures to ts to sit

        dohey do.

        ANGLE ON:

        Ike sneezes. S

        splitting apart. And ss like a bat out of hell! In a

        flurry of we, she aisle before Ike knows

        w s him.

        ANGLE ON:

        Ike stands to

        a, cer her.

        IKE

        (yelling out)

        Block the doors!

        Like a general, s to Dennis and Cory in the bad

        sends to a. t in Maggies face. But

        so the

        tONSPEOPLE stand so Ike    he pew. Ike climbs

        on tohe aisle, blog his

        pato the side aisle and scampers

        down and away. Fiss on his cell phone. Ike charges from

        one of the pews

        aircase to cut

        es off in eps of the

        c. Ike fumble he

        railing, landing on Dennis toe. airs

        after er exey.

        CUt tO:

        INt. C - tINUING

        Maggie es doeps aers the church childrens Sunday

        sc of KIDS And tEAChERS are doing religious

        arts and crafts. As Maggie runs through:

        MAGGIE

        teps

        s of dy in s. If

        you tickle him, hell give dy.

        S to a little GIRL as she goes by. Ike es

        doairs.

        IKE

        Maggie!

        ts. Ike fights his way

        through KIDS.

        ANGLE ON:

        Maggie as scer and

        the window is wide enough.

        ANGLE ON:

        Ike as s to t Maggie is out in driveway.
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