tificial edy, or edy of manners, is quite extin our stage. greve and Farquo be exploded and put doantly. times ot bear t for a feogetic cers    sta. e screo t. Idle gallantry in a fi, a dream, t of an evening, startles us in tions of profliga a son or le a parent uardian. e ions as dramatiterests left. e see a stage libertine playing er sequence,    real vices ators to a plot or intrigue (not reducible in life to t of strict morality) and take it all for trutitute a real for a dramatic person, and judge ry s, from is personae!,    seal edy but a tyrant far more pernicious to our pleasures , t is every tead of titious age (toms of old edy) s, kinsfolk, allies, patrons, enemies, -- terest in antial, t    afford our moral judgment, in its deepest and most vital results, to promise or slumber for a moment.    is transag, by no modification is made to affect us in any ots or cers ionso tors, to escape from ty, so muco firm our experience of it; to make assurance double, and take a bond of fate. e must live our toilsome lives t o desd to t ral ground of cer, ue; or    to ion; t ual moral questioning -- tuary and quiet Alsatia of ed casuistry -- is broken up and disfranco terests of society. taken a dally    sion from tation of disorder; and fear a painted pustule. In our a our morality s take cold,    up in a great bla surtout of precaution against the breeze and sunshine.

        I fess for myself t ( delinqueo anso take an airing beyond trict sce, -- not to live als of ts, -- but noo imagine a ri -- to get into recesses,    follow me -

        -----------Secret shades

        Of    grove,

        there was no fear of Jove --

        I e bay cage and my restraint t. I edly for    kno I feel tter al add even of yc least for it; and I could never ect ts of a ty fan any s to be drao imitation in real life. t as mucake one of ters, male or female (ions t in a modern play, and my virtuous indignation s te cos of t could desire; because in a modern play I am to judge of t and tandard of police is tical justice. tmosp it, it ot live     into a moral    needs fall and, as a S t o t in its oure is so very bad ? -- ts and touc offend my moral sense; in fact t appeal to it at all. t. tious restraints. t out of    into t s ? -- of cuckoldry -- topia of gallantry,    freedom. It is altogetive se of tever to t is. No good person    be justly offended as a spectator, because no good person suffers on tage. Judged morally, every cer in tions only are mistakes -- is alike essentially vain and    art of greve is especially s irely excluded from tle generosities in t of Angelica pered, -- not only any tless cer, but any pretensions to goodness ood feelings ively, t is as e poeresting you all along in ts of cers, for e nor love    is oo t you eion of moral lig, rations; and    before you    distin or preference. roduced a good cer, a single gus to actual life and actual duties, ti Gosed to ties, whem none.

        translated into real life, ters of es and strumpets, -- te of lary. No otion, or possible motive of duct, is reised; principles    reduce to a slating ts are produced in t a cic people. e are not to judge titutions are insulted by ted -- for no family ties exist among ty of tained, -- for none is supposed to ions are disquieted, -- no io of t soil. t nor itude or its opposite, -- claim or duty, -- paternity or sons sequence is it to virtue, or    all ed about it, eal as children.

        t,    t a battle of t, like Don Quixote, ake part against ts, and quite as impertily. e dare not plate an Atlantis, a sc of ransitory ease excluded. e    to imagine a state of t. e g to ties of s our very dreams.

        Amidst tifying circumstatendant upon gro is someto s glory. t of greve and yc gatimental edy    it sed, t tinues, at long intervals, to be announced in ts    at least, ep, ting voice -- to express it in a    acted villany of t, so different from tual ical assumption of e in t cer, I must needs clude t geion of play-goers more virtuous t ter brot, in fact, I liked e as    but t, for instaao a poor relation, ingruities    to join tificial imental edy, eit destroy t over trus Jacks manner floated ly, t a refusal from y any pleasure; you got over try question as quickly as you could, to get bato tificial manner of Palmer in ter teracted every disagreeable impression , supposing t believe in Josepter    reality, t poetical foil to it. ture of greve imental inpatibilities: ty upon t; but it required te art of Palmer to recile t elements.

        A player alents, if o do t in tinctively avoid every turo unrealise, and so to make ter fasating.    take ators, o eacrasted in ts, . Pauls    as venerable as t cat coeval) of t tly appreruly tom y of a toasting fork is not to be despised, -- so finely trast    kissing of taking it in like ter, -- ter submits to tle bleeder, time,    fles covet to meet roke of suce moor in te part. o you all t er and    intimation of a se before it    to you, and you o suppose t itious co-flutterers on tage perceived not all of it.     to you if t y, try -- or teazles reputation)    unes of Ot ed in it. Poor Jack    from tage in good time, t    live to t old teazle King, too, is gone in good time.    current in our day. e must love or e -- acquit or n -- ensure or pity -- exert our detestable bry of moral judgment upoo go do be a do sies, y greetings, kno no ie of t inspire a cold and killing aversion. g person of ts ulteriitimate ends, but    tre in doion) must be loved, and Joseped. to balane disagreeable reality er teazle must be no loful old baceasings () ly as muc you, as t to    any body on tage, --    be a real person, capable in laaining an injury -- a person too be aoagonist of to realise uc    pungency of life -- must (or s mirt unfortable, just as t , must affect you in tation of a dear female friend attacked in your real presence. Crabtree, and Sir Benjamin -- t live but in t be ripened by t-bed process of realization into asps or ampful! bee a . O remembers Parsons and Dodd -- tterfly of t gentleinguister part -- rue sic delig of t Refle -- turnalia of to sit instead at one of our modern plays -- to    forsoot not be left for a moment) stimulated ual appeals -- dulled rated, as a faculty    repose must be -- and y pampered ional justiotional benefice, lives saved    tators risk, and fortunes given a cost thing?

        No piece    in all its parts as to Mrs. Abingdon in Lady teazle; and Smitired, . t of ters,    exceptions, remained. I remember it o cry do of Cer Smit, I t, very unjustly. Smitook tain gaiety of person.    ions edy.    to expiate t of y declamation.    or of Rico atone for. s    to success in one of so opposite a tendency. But, as far as I could judge, ty sense of Kemble made up for more personal incapacity to ansones in t came steeped and dulcified in good s a grace.    declamatory manner, as , only served to vey ts of    seemed to s to carry t one of ences . I remember minutely    by any effort imagine ered for tter. No man could deliver brilliant dialogue -- tood it -- ine, in Love for Love, o my recolle, faultless. imes in tervals ic passion. s of an er. o nod. But o me to be particularly alive to pointed and ty dialogue. ties edy    been touc-bred spirit in    -- tive relief orpors -- but ting-stones aing-places edy -- politic savings, acure pointed o be an eist -- rat. t , less painful ternal tormenting unappeasable vigila;lidless dragon eyes," of present fasragedy.
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