SIMO at ternational Arrivals Building, from ing, but s A, B, d D -- Russias so fabulously gifted t none of to publis. "ts terrific," ;You look beautiful." "t; s;tood Englisimes as good as regular Englis; Sices t ;s t?" eak, a steak big as a Sunday times. Seak into ;I do your metap; s;Is it ;
S, it is tell her.
t in c;t; ; a little. . . repetitive?" "My burning barns," s;my splendid burning barns, Ill burn as many barns as I damn please, Pappy." en years, and s altogetely stunning, a black ter-lengt embossed ted sleeveless jacket, a yello. "Seriously, do you too many? Barns?" Its t time s anyted ;I ; ;But t; s;Every one Ive ever kno; "Simon says," Simon says, "Simon needs a beer." So fetc. Pauli Girl from tor.
t lives in try, in an old Putnam ty farm s touc to paint ted over ture is junk golden oak, one piece to a room except in tcable and tc;t; t says, "from my motato-c tell you any?t;
Simon takes train from Graral to Put?nam ty. like train, almost al air ditioning, and es c Croton, train to anotampede t tately s at Garri?son at trip sting on toyota pickup, drinking apple juice from a paper cup.
t sings to him:
Row, row, row your bed
Gently doream. . .
tlers if t bitcarts doragice.
"Sounded a little pissed," Anne says.
"t; says Veronica, "I guess you t blame t itude."
Dore says, "Let ;
"Simon is passive."
"I dont tigy of tant."
"I tive till sore. I dont call t passive."
" a strange pla ;
"Youre like one of tiny little insig;
"t;
"Youre like one of tive gro in dismal exfoliations."
"Youre funnin me."
"Youre like one of t kno;
"ell to be vulgar."
"Yes t;
";
"I say."
"ell to be vulgar."
"You one?"
"One ;
"Bang."
"s it got on it?"
"Sprinkles."
"Na det."
";
"You call t slender?"
"I except t;
"een times in a good mont;
"ts depressing."
"I ts depressing."
"I really to be more vulgar t present being."
"ell ;
"I guess nobody."
"I guess we could dance co-c;
"I guess ear up some little buncs."
"ell to be destructive."
"e pretend to be okay."
"Im fine. Im really fine."
"I a lot of time on it, buffing tore, oiling t. us and reduce us to notters."
"?"
"Read it in a feminist text."
"I gon us read any more books."
"?"
"Just around. On to."
"Maybe it ter for us so be so exacerbated."
"Youre like one of t before its time."
"ell ts ;
"I t;
" is it?"
"Camaro."
"Youre like one of tty dreams, knoy dreams."
"?"
"I played in a band once."
" rument?"
"tambourine."
"t get a union card for tambourine."
"My knee all blad blue, I banged my tambou?rine on it. First t;
"I saiful ass. In a picture. It oo it iful picture."
" make you feel?"
"Inferior."
"ell ts ."
"Id like to lig;
"Yes you ;
"But I still t I t;
"Its o get a scrape o lig;
"Ive do times."
"Leaves you ."
"It does."
A: Ive crossed botroopslantice, on a passenger liner. You stand out t t dusk, and tless, er in every dire, never-ending, you ter forever, t of t also seems inexorable, you feel you sev?enty million square miles, about o be making ty knots, Im eating es because ts all I keep do ourist class, rato our table Paderees --
Q: I empted to bee a s t sce.
A: But he scis?sors?
Q: you realized t s going to stab you in the scissors?
A: A lot of people go along assuming t. And t stabbed in the scissors.
Q: You saion to tist .
A: No no no.
Q: Im a doctor. You tell me. Im used to errible things.
A: I felt blessed.
Q: Your rembling.
A: t imes.
Q: ?
A: All lovely, all.
Q: I dont these women looked like.
A: Dore on to it. A good inc as t oo, a blonder blond. Very good foreail a lot of time. Anne hair.
Q: Did you feel, o o t, t you looked straogether?
A: Never occurred to me.
Q: You do cure sligood --
A: Notter hes.
Q: You see ts in thes?
A: Of course not. I put on a jacket and tie and --
Q: ie h wool --
A: Its a uniform, yes.
Q: Im greatly forted. I dont like to t of uniform.
A: Nor do ts.
Q: Bellies. Ive ally drao tle, less overt, sculptural repre?sentation of all tactile values e h --
A: All sculpture is about o look at it t ombs are about o look at it t he Grand yon.
Q: tower?
A: About o women.
Q: he male?
A: Monks.
Q: Is t women?
A: Speeds us to about tasks.
Q: about coveting your neighbors wife?
A: ell on one side, in Prictly speaking, t I dont covet able, quite lovely and spirited, but in point of fact our relations of neigart tery is dead, s acres of basil, not literally acres but -- Any ts mug your neig speaking administra?tively, I dont see devoted to it. Its a mental exercise, coveting. to covet is not necessarily to take a.
Q: I covet my neig Vari-Flo deal t lets you --
A: I obey ts, t knoalking about I ig?ory of to t disc on tate. At turns to t;I le about it as ;
Q: God critiques us, ique him. Does Carol also engage in dalliance?
A: you are. I think she has friends whom she sees now and again.
Q: make you feel?
A: I wish her well.
Q: s in your ?
A: t cards, pictures of Saray dollars in cass --
Q: It seems to me t deal to . Does t itself in t til its cooked.
A: Carol is mad for radis get enougoo.
Q: I am feveriserested in tio is. Moral precept?ing stings to attentiveness.
A: Im only a bit depressed, only a bit.
Q: A ne of ideas, based upon t ts, is not an index of dece. Dece itself is not as bad as its been painted. As for myself, I am ?tent oo little, I kno myself and I do not end myself for it and pero co a s decisively to grasp --
A: the leaf blower, for example.
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