EXt. IKES CAR - tRY ROAD - NIGht

        Ike and Maggie stare forh seem in melanoods.

        to serouble here. Suddenly,

        ters and jerks. It so a stop on the shoulder of

        the car backfires and smokes.

        EXt. IKES CAR - tRY ROAD - NIGht

        Ike and Maggie sit in teaming car for a moment.

        MAGGIE

        Your filters clogged. takes

        unleaded.

        IKE

        you fix it?

        MAGGIE

        First I o find some tools. I

        need a enth.

        IKE

        (removing his glasses)

        Of w?

        MAGGIE

        (in amazement)

        rene.

        Maggie slams the food closed.

        IKE

        Kind of isolated.

        MAGGIE

        Yeas kind of nice.

        An unfortable silent pause. Ike breaks t.

        IKE

        thing we New Yorkers know

        o do is heres no

        cab, we walk.

        Ike stares off does a building in

        taurns off ts.

        MAGGIE

        I    get some tools over there.... and

        save ttery... thing

        ry girls kno

        across a field. Its quicker.

        Maggie points diagonally across to ion

        sign glos from ter winkle.

        o the field.

        MAGGIE (td)

        Be careful of snakes.

        IKE

        Snakes? Are you serious? I dont like

        snakes. Ive never even seen a snake.

        eps carefully into toward Maggie.

        MOMENtS LAtER

        Maggie leads Ike through a field.

        MAGGIE

        Do you t

        person for everybody?

        Ike chooses his words carefully.

        IKE

        No. But I ttra is too

        often mistaken fhtness.

        Attra is very misleading. And if

        its mutual, its erribly

        distrag.

        MAGGIE

        Yes it is. And it doesnt mean

        anything.

        Ike nods as to a wooden fence. Ss her hand on

        s s to give her a

        boost over top. e see tanding cross

        Maggies face at tial taeithem moves --

        for tricity is obvious.

        ANGLE ON: Ike. ed feelings are apparent. ith

        difficulty, Maggie straigh quickly remove

        their hands.

        MAGGIE (td)

        (lightly)

        I suddenly fot o climb a fence.

        t eac, then:

        MAGGIE AND IKE

        (breaking the

        moment jokingly)

        "tools".

        Shey see

        an old guy, LIONEL, wtling on a porch.

        MAGGIE (td)

        Lionel,    I borroools?

        IKE

        Yeah, we need a half and nine-

        sixteenths.

        LIONEL

        Gonna bust out of another wedding?

        IKE

        Youre sure well known around here.

        EXt. FIS DAY

        Establis.

        INt. FIS (NYC) - DAY

        INt. IKES EL ROOM - DAY

        I BEtEEN tO LOCAtIONS:

        Ike sits on ing his

        breakfast. cape again. Fisher

        is cooking an elaborate breakfast. Ellie rusting

        ready for work. o Ike.

        FIShER

        (into phone)

        Yes,    she may

        be running because ss attention...

        ive attention is attention.

        Like

        because of your n, ts ive

        attention.

        IKE (V.O.)

        t ive attention,

        not mine. Did you get the

        reimbursement for t?

        FIShER

        (into phone)

        No, Im paying for the dress. Do you

        till gonna run?

        IKE (V.O.)

        I dont know.

        Ellie e and shakes her head

        to    up.

        INt. IKES EL ROOM - tINUOUS

        very o gloat. Fisher is annoying him.

        IKE

        (into phone)

        Look -- Ill be ioday.

        Ill e by and tell you all about it.

        FIShER (V.O.)

        Youre ing here?

        IKE

        (into phone)

        Yeah.

        FIShER (V.O.)

        then e for dinner.

        IKE

        (into phone)

        Okay, .

        FIShER (V.O.)

        Order out like a Pine, when you

        got t here?...

        Ike che Gee Swilling wedding

        video.

        INt. NE YORK BAR - DAY

        the same man

        Ike talked to before, is sitting on a stool, nursing his drink.

        ter. Ike enters. Gee looks up and reizes

        Ike, ool o him.

        IKE

        Get this man a Kamikaze.

        GEE

        Splendid disse of Maggie Carpenter,

        very professional job.

        Ike sits and leans over to Gee.

        IKE

        (whispers)

        You could old me you were fiance

        hree.

        GEE

        And end up in the papers? Ive been

        ed enougo last a

        lifetime, t

        you ed.

        IKE

        thanks.

        GEE

        Sradis.

        IKE

        ell, Im ing anoticle on

        the cacophony.

        GEE

        A stay away from her,    you?

        Like a moto a flame.

        IKE

        Guess youd kno t. Youre an

        entomologist, right? hows business?

        GEE

        (taking a sip

        of his drink)

        Not bad. I raveling around

        studying tive and migratory

        patterns of locusts w me.

        IKE

        (sarcastic)

        er a locust, feed the world.

        GE

        Not t Afrid a.

        Ike his

        guy    under .

        GEE (td)

        You knohe only girl I

        ever met ula.

        On t date.

        IKE (td)

        So, tell me, Gee, whink

        she ran?

        GEE

        Same as you said.    did you call

        ;maer", "a dev death

        goddess."

        IKE

        I dont ts why she ran.

        GEE

        hink she ran?

        Ike sips his drink before answering.

        IKE

        I dont kno. I

        rack.

        GEE

        And you defending her?

        IKE

        No. I call it like I see it. Im a

        journalist. Im a truteller.

        GEE

        Unbelievable, s to you.

        IKE

        Oh, please!

        GE

        Join the club.

        (passing him

        his drink)

        han me.

        Gee .

        IKE

        (proteg, taking

        ape recorder

        out of )

        Im ing an article, Im getting

        paid to do ts going to be a

        cover story, its going to be published

        ... ts will be read someday.

        As Gee pauses in tape recorder.

        IKE (td)

        kind of eggs did she like?

        GEE

        Poac like me.

        Gee exits.

        CUt tO:

        EXt. NE YORK StREEt/FIShER AND ELLIES BUILDING - DAY

        Ike reet toward Ellie and Fisher.

        CUt tO:

        INt. FISMENt (NYC) - NIGht

        Ellie is on ters s at

        the piano.

        FIShER

        (sarcastically)

        Overpriice apartment and ese

        takeout. ts New York living.

        ELLIE

        (into phone)

        ... Just call me w.

        (o Fisher)

        Ike, ory ing? Is she a

        maer?

        FIShER

        Or a vegetarian?

        ELLIE

        Or does s;NGBS" -- "Nice Guys,

        But..." Nice guys, but Im cheap.

        Nice guys, but h his mom...

        Nice guys, but    out of prison.

        IKE

        No... teresting guys. Each

        one of thing going

        for .

        Anot. Ones a

        pretty good guitar player. And this

        guy today tried to end world hunger, if

        you    believe t...

        FIShER

        ting a plex, buddy?

        ELLIE

        Fis alk.

        IKE

        (sits)

        But one of t one of

        t all. Eae was

        vi s for them,

        but t see her. And she never

        s see her.

        Its a very symbolic thing happening.

        S sed

        to be.

        Fis like t Ellie, who

        is looking very ied.

        FIShER

        (in shock)

        Ike is turniive and I t

        bear to ake a

        fres of tea.

        ts. Ike goes to the piano as Ellie

        picks up the phone.

        ELLIE

        (into phone)

        Yeah... Oh, Jay... Okay... Bye.

        (o Fisher)

        Fis fet tune

        cookies.

        S ts serious.

        IKE

        Is t o you? Is t

        see

        you?

        ELLIE

        No. No, you didnt.

        he hugs her.

        IKE

        (felt)

        ell -- Im sorry, Im really sorry,

        Ellie.

        ELLIE

        Im sorry, too.

        (beat)

        o only took us between years

        to say.

        Ellie blinks back seal tears.

        CUt tO
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