INt. ORE - tINUOUS
Peggy and Mrs. Pressmaer, worried.
MRS. PRESSMAN
You tell Maggie.
PEGGY
No, you tell her.
MRS. PRESSMAN
No, no. Youre friend.
PEGGY
No.
MRS. PRESSMAN
(holding her
neer)
You knos just possible t she
read t.
PEGGY
Yeah.
MRS. PRESSMAN
Maybe s read the paper...
Ooday opeo the
article about Maggie.
MRS. PRESSMAN (td)
... Or not!
e folloairs ihe hale hardware
Store, ttiest, most weling ss kind anywhere
in small to of
ter; botop and se brightness,
cy. Maggie es doeps
o an elderly er, MR. PAXtON.
MAGGIE
(bright)
ique er
;" still on it,
guarao fit any Ameri Standard
cast iron tub er
made bether
of the
dogon.
MR. PAXtON
(amazed)
hallelujah.
MAGGIE
Alrigon, Ill put it on
your at.
Maggie rounds tomer, EARL, stands by the
paint mae.
EARL
Maggie.
MAGGIE
( er)
You dont need an air ditioner, Earl,
you just need an atti -- theres
more in the back.
Maggie steps be ter of tore and takes the
at book out. rails off as she dour
expression on the faces of her friends.
MAGGIE (td)
?
Peggy nervously mentions the neer.
PEGGY
(delicate)
So -- Mag -- youve seen this, huh?
MAGGIE
(serious)
Yes, Ive seen it. And I o say
its t and most offensive...
joke anybodys ever played on me!
to t, Maggie starts smiling.
MAGGIE (td)
You guys! ake you?
Maggie stays amused.
MAGGIE (td)
this done?
(laughing)
You creeps! I se you!
And his
is four.
PEGGY
Uold us to bacte
jokes, so ...
Maggie looks at tri face of her friends.
MRS. PRESSMAN
holy moly.
Peggy looks like so cry hy fgie.
Maggie is starting to feel unfortable. She looks down,
dubiously, at the paper.
MAGGIE
Um, you know, now would be a good
moment to tell me this is fake.
(no response)
It be funny if y it out.
Okay?
(no response)
Okay, ...
Real neers smear. Phoney papers
dont.
S against her apron, leaving
an INK SMEAR!!
She nearly kneels over.
MAGGIE (td)
(sitting)
Bag.
Peggy and Mrs. Pressman immediately spring to hey
give o breathe in.
MRS. PRESSMAN
Bag.
CUt tO:
INt. MAGGIES ORKOUt ROOM/GYM - NIGht
e see Maggie kickboxing in ahe radio is on. She
suddenly stops, yanks Ikes article off the wall, leaves her
area and goes to her desk.
ANGLE ON DESK AREA:
Surns off to type ter.
MAGGIE (V.O.)
"Dear Editor..."
EXt. MANtAN - DAY - EStABLIS
As Maggies VOICE-OVER tio read ter, ake in
a Mantan busy day. It is big, loud, and anonymous.
MAGGIE (V.O.; td)
"Greeting from ticks! Perhaps you
believe t a rural education is
focused mainly on hog calling and
traaintehan reading.
a piece of
fi about me and call it fact?"
te CAMERA FINDS Ike, striding across a busy street, dodging
taxies. A OMAN smacks h a neer. he passes a OMAN
tRAFFIC OFFICER, t dog stand. s and passes a
FALAFEL VENDOR. to a USA today truck.
MAGGIE (V.O.; td)
"I suppose Mr. Graoo busy
tatements about
o both
something silly like accura
rep. andable,
because ;maer" like me on
time to cs?"
EXt. USA tODAY LOADING DOCKS - tINUOUS
he passes regular GUYS who cheer him.
MAGGIE (V.O.; td)
"Still, ic queens get
pretty ky whings in
print t our feelings, like t
ely abandon fiances h
malice aforet."
INt. USA tODAY LOADING DOCKS - tINUOUS
ers to Ellies office.
INt. USA tODAY OFFICE - tINUOUS
y room. tracts a
lot of attention from tle
surprised, but hes pleased.
MAGGIE (V.O.; td)
"ts wo find Mr.
Graor was a woman. Call me a
seal fool, but I sort of hoped
er could stick toget;
Ike ors office. ChUFFA
Ike greets various o tors
secretary, ELAINE. S smile.
IKE
(to Elaine)
Ill put in a good word for you.
ELAINE
No, no, doion my name in there.
IKE
hy?
A buzz.
ELAINE
You go in now.
Ike goes into Ellies office. Elaine picks up her phone.
CUt tO:
INt. ELLIES OFFICE - tINUOUS
ELLIE is t editor. Stylish and successful looking, shes
about Ikes age. Ellie sits beh a scowl on
ty face. s
noncly on ters as Ellie reads
Maggies letter.
ELLIE
(readier)
"Any dropping you big city
folk ttle o say t I have
t of a ritual sacrifice t would
satisfy my current appetite: Ike
Grater. Yours
truly, Maggie Carpenter. P.S. -- I
of the gross
factual misrepresentations in your
article. teen."
Ike sits as Ellie puts tter doakes off her glasses.
IKE
(cs)
Fully. I like .
ELLIE
I left four messages. You dourn
my calls.
IKE
So? I never returned your calls, even
ws
Fisher doing here anyway?
Fiss and places a po of t on a bookshelf on his
o the room.
FIShER
Ellie asked me to e doo offer
moral support.
IKE
Since when does Ellie need moral supp--
ELLIE
-- Its for you, Ike.
IKE
?
ELLIE
Journalism lesson number one. If you
fabricate your facts, you get fired.
Ellie pusoday later across the desk for him
to read. Ike picks it up and skims tter. his face is as
impassive as stone.
IKE
Lesson wo. Never work for your
former spouse.
ELLIE
ts not noto do . You
cooked tory up and you kno.
IKE
I didnt cook up a story. I had a
source.
ELLIE
Someone reliable, Im sure. A booze-
hound in a bar?
FIShER
In vias.
IKE
Dont knock drunk guys in bars. Drunk
guys in bars are good. It means
t driving.
Ike gets up and stands near Ellie, making .
IKE (td)
Besides, Im a nist. t
nists are supposed to do. this is
ch, we
go out on a limo. ts w makes me
good!
ELLIE
No, ts w makes you unemployed.
IKE
I merely e tuff. Youre the
o serves it up.
Ike puts doter and puts o his
pocket.
ELLIE
Not anymore. I o drahe line.
(pushing a piece
of paper)
S us t. Our lawyers say
its aable.
Ellie .
IKE
(scoffs)
Lawyers.
(gla list)
I dont know, Ellie -- Firing me is
going to be very tougs
going to be o get over. there
herapy bills for you.
ELLIE
(shrugs)
I already made an appoi for later
today.
IKE
(putting t
doanding)
See? You custody of my job? ...
just sider my slapped
and call me when you feel Ive served
my time?
ELLIE
Im sorry, Ike. t.
Fis eacher
for a sober moment.
ELLIE (V.O.; td)
If you go quietly, Ill get you
severance pay.
Ellie fidgets oy rake, the door.
tle at truth of her words and walks
out. Ellie collapses ba o her and
rubs her shoulders.
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